At her summerhouse on the Danish coast, Luna Schulze spends time with her husband and their child. The house sits low behind tall grass, with wooden steps and a garden that grows a little wild in the corners. Toys are scattered near the porch. A kite leans against the wall. The kitchen door stays open most of the day.
Luna works as a designer and artist, moving between furniture and installations. Through her ongoing project, Project 100, she creates objects that last, everyday things that carry weight and meaning. Each series is made up of 100 variations, and once they’re gone, they don’t come back. It’s a way of designing that slows everything down. A resistance to the disposable.
At the summerhouse, the day moves between watering plants, picking up toys, fixing small things, and sitting in the sun. Luna wears her Polyver boots through it all. From the garden to the shed, from damp grass to sandy paths. Her husband wears them too. So does their child. The boots are just part of the day always by the door, always ready to be pulled on.
The afternoon stretches out. Luna and her child start flying the kite. Water boils for coffee. The sun shifts across the floors and into the corners. The film captures a few of those slow hours. A glimpse into a way of living that values simplicity, presence, and things that last. The summerhouse isn’t a place for projects. It’s a place to be. And maybe that’s where Luna’s design practice begins - not with doing, but with noticing.